Beka Economopoulos, a member of the Brooklyn-based group Not An Alternative, interprets a moving sculpture by artists at the Toronto G20 using the “Black Bloc” method of sculpting. The piece entitled “The Sculpture of Exception,” ironically turns political theorist Carl Schmitt’s “state of exception” on its head. The state of exception, according to Schmitt, frees the executive from any legal restraints to its power that would normally apply in a given crisis situation or any situation where power needs self-legitimization.
“The Sculpture of Exception” illustrates that collective bodies can also operate outside legal restraints when governments perpetuate crisis through capital consolidation and austerity. The piece draws attention to the possibilities for refusal and non-compliance in the face of such given force and shows a dialectic that forms within this context.